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Reena Esmail

Composer

Chuti Hui Jagah (alto or Hindustani voice+marimba)

September 5, 2015 by

Navigate to:

  • Program Notes
  • Recording
  • Special Performance Requirements
  • Text
  • Audio Guides
  • Premiere/Performances
Joota, from Chuti Hui Jagah
Saili Oak, vocals; Reena Esmail, piano

Program Notes

When I lived in India in 2012, I was introduced to the work of Manav Kaul, an incredible Hindi-language playwright, actor and poet living in Mumbai. Hindi is a language that has become increasingly anglicized in its evolution. While there is so much beautiful ancient work in Sanskrit and Brijbasha (some of Hindi’s precursors) I have not yet been able to find such wealth of work in modern shudh (pure) Hindi. In fact, a large portion of the best modern creative writing by current Indian authors is in English. Kaul’s work, though, provides a very special insight into the world of modern India through its native language. As a playwright and actor, Kaul has a particular ear for the way words flow through time — the words he writes are designed to be heard aloud. Kaul’s poetry uses simple and direct language to express deep and complex sentiments.

Chuti Hui Jagah (छूटी हुई जगह – The Space Between) is a cycle of three of Kaul’s shorter poems. It is a series vignettes, each of which dwells in a different space between two objects, two events, two states. Ek Shabd (एक शब्द – One Word) explores the space between a single word falling onto a page, and a full play being read aloud. Joota (जूता – Shoe) explores the space between pain and numbness. And Aavaz (अावाज़ – Sound/Voice) explores the space between silence and sound.

Recording

Annie Rosen, mezzo-soprano
Colin Davin, guitar

Special Performance Requirements

This piece does not require Indian classical training to sing. While it was written with Hindustani classical vocal technique in mind, it is completely notated for western classical singers. Between the audio guides and existing recordings, Western singers should feel confident in their interpretation of the piece.

If you are Indian-classical trained and also know how to read Western notation, this piece is ideal for you — it combines the vocal techniques of Indian music with the moving tonal center of Western music.

If you are Indian-classical trained and do not read Western music, this work might be challenging for you to learn, though still certainly possible. Movement 2, Joota, is a good place to start.

Text

एक शब्द…One word……
एक शब्द…
थर-थर कांपता-सा,
पन्ने पर िगरा।
एक कहानी…
कविता के सुर में कही गई और नहीं कहीं गई,
जैसी बातों में पूरी हुई।
नाटक के से सुर में मैंने उसे,
डरते-डरते पढ़ा।
कहीं एक बच्चे ने,
थमे हुए पानी में एक पत्थर फैंका…।
और कहीं दूर,
अबाबील नाम की िचड़िया उड़ गई।
One word…
Making a thar-thar shivering sound,
Fell onto the page.
One story….
What was said and unsaid in the flow of the poem,
Was completed in those thoughts.
From the tones of the drama,
I fearfully read it.
Somewhere, a child,
Pausing, threw a pebble into still water…
And somewhere far away,
A bird called the skylark flew away.
जूता…Shoe
जूता जब काटता है…
तो जिंदगी काटना मुश्किल हो जाता है।
और जूता काटना जब बंद कर देता है…
तो वक्त काटना मुश्किल हो जाता है।
When the shoe bites
Then it becomes difficult to delineate (navigate through) the world
And when the shoe stops biting
Then it becomes difficult to delineate (navigate through) time.
आवाज़…Voice/Sound
लंबे चले आ रहे सन्नाटे में …
दो बूंद आवाज़ की पड़ी।
दूर एक िचड़ियाँ,
अपना घर बनाने में…
चोंच को पेड़ पर मार रही थी।
From the long, epic silence
Two drops of sound fell
Far away, a bird
Making its home
Knocked a tree with its beak

Audio Guides

Ek Shabd – Pronunciation Guide
Joota – Pronunciation Guide
Avaaz – Pronunciation Guide

Premiere/Performances

This version was performed on April, 22, 2016 at the Indian Embassy, Washington D.C. with Payton MacDonald, marimba and Reena Esmail, vocals.

View Product

Instrumentation: alto/Hindustani voice and marimba

Other Versions:

  • Chuti Hui Jagah (mezzo + guitar)
  • Chuti Hui Jagah (mezzo+piano)
  • Chuti Hui Jagah (soprano+piano)

Duration: 10′

Year: 2015

Movements: 3

Languages: Hindi

Commissioned by: original version (guitar/mezzo) commissioned by Millenial Music Festival; Colin Davin, guitar

Program Notes

Recording

Special Performance Requirements

Text

Audio Guide (for performers)

Premiere/Performances

Esmail is the Los Angeles Master Chorale’s 2020-2025 Swan Family Artist in Residence, and was Seattle Symphony’s 2020-21 Composer-in-Residence. She also holds awards/fellowships from United States Artists, the S&R Foundation, the American Academy of Arts and Letters, and the Kennedy Center.

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