(*this work was originally written for SATB+cello)
Los Angeles Master Chorale; Jenny Wong, conductor; Cecilia Tsan, cello
Program Notes
As a companion piece to Victoria’s O Vos Omnes, I chose to set a beautiful text by the 14C Persian poet Hafiz. The text of O Vos Omnes is asking, simply, to be seen in a moment of sorrow — to be beheld through suffering and darkness. And Hafiz’s text responds in such a beautiful way — it moves through that darkness and begins to let those very first slivers of light in.
This piece is about that first moment of trust, of softening. About the most inward moments of the human experience, of realizing that ‘breakthroughs’ often don’t have the hard edge, the burst of energy that the word implies, but that they can be about finding tender, warm, deeply resonant spaces within ourselves as well.
Recording
(see video above)
Text
When
The violin
Can forgive the past
It starts singing.
When the violin can stop worrying
About the future
You will become
Such a drunk laughing nuisance
That God
Will then lean dow
And start combing you into
Her
Hair.
When the violin can forgive
Every wound caused by
Others
The heart starts
Singing.
— Hafiz, The Gift (tr. Daniel Ladinsky)
Audio Guide
This piece is based in a Hindustani raag (p/d) called Charukeshi.
Performances
This piece was commissioned by the Golden Bridge Choir, directed by Suzi Digby. It was premiered on September 8, 2018 at All Saints Episcopal Church in Beverly Hills, CA.
The 9-voice + violin version of this work was premiered by Street Symphony Chamber Singers and Vijay Gupta at Mercado La Paloma on March 8, 2020.