new work for baritone and violin*
*this work is not yet completed Program Notes Recording Premiere/Performances Press/Reviews
Composer
*this work is not yet completed Program Notes Recording Premiere/Performances Press/Reviews
Program Notes Sandhiprakash(p/d), meaning ‘the joining of light’, is the term for a particular set of Hindustani raags that are performed at the moments of sunrise and sunset. In this piece for unaccompanied cello, the focus is on morning sandhiprakash raags Bhairav, Ahir Bhairav and Vibhas. I’m so struck by how differently the concept of … Read more
*this version will be available in Spring 2026 Program Notes Sandhiprakash(p/d), meaning ‘the joining of light’, is the term for a particular set of Hindustani raags that are performed at the moments of sunrise and sunset. In this piece for unaccompanied cello, the focus is on morning sandhiprakash raags Bhairav, Ahir Bhairav and Vibhas. I’m … Read more
Note: I wrote this arrangement of the Leonard Cohen Hallelujah for Vijay to play as part of Street Symphony events. The arrangement has gained so much traction that I decided to list it on the site. Please note: I do not own the rights to this piece — and I do not earn any income … Read more
Program Notes A drishti is a focused gaze, usually on a single point. The word became known in the West through the practice of yoga: as the body moves through a series of postures, the drishti remains a constant. It is the grounded center that allows everything around it to move and transform. In this work, the … Read more
Program Notes (notes for the original work, for choir and obligato violin or cello): As a companion piece to Victoria’s O Vos Omnes, I chose to set a beautiful text by the 14C Persian poet Hafiz. The text of O Vos Omnes is asking, simply, to be seen in a moment of sorrow — to … Read more
Program Notes This song for soprano/mezzo, piano and violin was originally the fifth movement of my oratorio, eponymously titled This Love Between Us. The text comes from a variety of translations of ancient saint-poet Kabir’s writings, and from the Isa Upanishad. The original version starts and ends with a duet. The violin line was originally … Read more
Program Notes Blaze is a work in progress. The audio below is the first iteration of an ongoing exploration with violinist Shalini Vijayan and tabla player T.J. Troy. While I’ve written extensively for the violin, tabla writing is new to me, and this is just the beginning of my exploration of the vast possibilities of … Read more
Program Notes Darshan means ‘seeing’ in Hindi. In the Hindu religion, to give ‘darshan’ is to see and worship God. As Vijay and I worked on this music together over three years, we began to see the divine in one another. This movement, in Raag Charukeshi, is the first movement of five, which will be … Read more
Program Notes What if there was a concerto where the job of the soloist was to support the orchestra as much as the orchestra supported the soloist?This is the question that led to the creation of Concerto for You. In a typical concerto, the soloist performs with dazzling virtuosity for the audience, while an entire … Read more
Program Notes Varsha was originally written as a cello solo for the Haydn Seven Last Words project, for Juilliard415. The project commissioned seven composers (including Nico Muhly, Paola Prestini, Jessica Meyer, Tania Leon, Caroline Shaw and Colin Jacobsen) to write interludes between each of the Haydn quartets. This piece, Varsha, serves as an interlude between … Read more
(*this work was originally written for SATB+cello) Program Notes As a companion piece to Victoria’s O Vos Omnes, I chose to set a beautiful text by the 14C Persian poet Hafiz. The text of O Vos Omnes is asking, simply, to be seen in a moment of sorrow — to be beheld through suffering and … Read more