Composer
Program Notes We say the word “suffrage” when discussing voting rights, but do we know what it means? The word has roots in late Middle English and Latin, meaning “intercessory prayer,” the kind of prayer one offers on behalf of another. Trust the Ballot explores this connection, understanding that when we vote we don’t just voice our … Read more
Program Notes This Love Between Us is a piece about unity. Its seven movements juxtapose the words of seven major religious traditions of India (Buddhism, Sikhism, Christianity, Zoroastrianism, Hinduism, Jainism and Islam), and specifically how each of these traditions approaches the topic of unity, of brotherhood, of being kind to one another. The texts come either … Read more
Program Notes This Love Between Us is a piece about unity. Its seven movements juxtapose the words of seven major religious traditions of India (Buddhism, Sikhism, Christianity, Zoroastrianism, Hinduism, Jainism and Islam), and specifically how each of these traditions approaches the topic of unity, of brotherhood, of being kind to one another. The texts come either … Read more
Program Notes This song for soprano, tenor and piano and violin was originally the fifth movement of my oratorio, eponymously titled This Love Between Us. The text comes from a variety of translations of ancient saint-poet Kabir’s writings, and from the Isa Upanishad. The original version starts and ends with the same duets between solo … Read more
Within the form of a harp concerto, this work borders on performance art, as we explore the devastating change ravaging our natural world. *this work has not yet been completed – please check back for more information Program Notes Recording Special Performance Requirements Audio Guide Premiere/Performances Press/Reviews
Program Notes Exaltations is a set of three interstitial works for double choir and brass quintet, written specifically to fit between the works on this program of Gabrieli and Bruckner. I love the sharp, sparkling attack and timbre of brass combined with the sheer breadth and text of the choir — the interplay of those two textures is … Read more
Program Notes This is one of those stories that has the aura of a myth, but sometimes these little miracles happen to each of us. One afternoon in the summer of 2018, I was at the Corona Institute for Women, a women’s jail just outside of Los Angeles doing a concert of some of my … Read more
Please note: the recording above is the original, for two Hindustani singers and string quartet. When a recording becomes available of this version, it will be posted here. Program Notes This bhajan arrangement (based on a tune by Ninu Majumdar, with words from the ancient Indian saint-poet Barabas) has a message that is so relevant … Read more
Please note: the recording above is the original, for two Hindustani singers and string quartet. When a recording becomes available of this version, it will be posted here. Program Notes This bhajan arrangement (based on a tune by Ninu Majumdar, with words from the ancient Indian saint-poet Barabas) has a message that is so relevant … Read more
Please note: the recording above is the original, for two Hindustani singers and string quartet. When a recording becomes available of this version, it will be posted here. Program Notes This bhajan arrangement (based on a tune by Ninu Majumdar, with words from the ancient Indian saint-poet Barabas) has a message that is so relevant … Read more
Program Notes Sunaao is a set of three pieces designed to introduce young choirs to the Hindi/Urdu language. Aao beckons us to share our musical traditions with one another, exploring changing open vowels. Khattar Pattar uses a distinctive style of Hindi/Urdu onomatopoeia to describe how we sometimes let our thoughts run out of control. Behta … Read more
Program Notes These two etudes my contribution to Joshua Anderson’s volume New 32 — sets of fast and slow etudes by different living composers, each in response to a set from the original 32 Rose Etudes that are a staple of clarinet pedagogy. My two etudes, the ‘A minor’ ones, are actually in Hindustani ragas … Read more